BrutalistDC will take over the Instagram feed of the Southwest Business Improvement District (@SWBID) on Thursday, October 5. Expect a walking tour starting from the Waterfront Metro and ending at the U.S. Department of Energy.
We plan on covering a lot of ground, and hope to make it to the following buildings, most of which are on the Brutalist Washington Map:
Tiber Island Cooperative & Carrollsburg Square Condominium
The Hirshhorn Museum and Sculpture Garden is once again pulling out all the stops to host a full day of Brutalist programming (and doughnuts!) on World Architecture Day, which falls this year on October 2. Following on the success of last year’s collaboration with WalkWithLocals, BrutalistDC has been invited back for another evening walking tour of the Hirshhorn grounds, starting at 6.15pm.
For kids 10 a.m.: For a special edition of STORYTIME, the museum’s youngest visitors are invited to explore architecture through a read-aloud of Iggy Peck Architect by Andrea Beaty and a hands-on building activity.
For all ages 12:30 p.m.: Architecture specialist Amanda Hurley talks Brutalism and color, expanding on her Washington Post Magazinearticle arguing in favor of preserving brutalist architecture in Washington.
1–1:10 p.m.: Visitors can witness the motorized magic of “The Project for the Preservation of Natural Resources” as the miniature model—complete with working windmills and running water—comes to life in the exhibition “Ilya and Emilia Kabakov: The Utopian Projects.”
2 p.m.: A Gallery Guide-led tour will explore architecture-inspired art on view, including the fantastical world of Ilya and Emilia Kabakov’s models in “The Utopian Projects.”
4 p.m.:Kelsey Keith, editor-in-chief of Curbed, debates the good, bad, beautiful and ugly of Brutalism, and the Hirshhorn’s groundbreaking design in architecture history.
6:15 p.m.: Deane Madsen (@deane_madsen), former design editor of Architect magazine, will lead an IGDC (@igdc) brutalist Instameet tour #atHirshhorn. Founder of the Instagram account @brutalistdc, Madsen will explore the exterior and lush garden at sunset.
From the Hirshhorn:
Known best for the art displayed within its walls, the Hirshhorn will devote the day to spotlighting its sculptural Gordon Bunshaft-designed building, which opened to the public in 1974. Standing out among the classical buildings of the National Mall, the Hirshhorn—affectionately nicknamed the “Brutalist donut”—is one of the most popular examples of the Brutalist architectural style, which erupted from the 1950s through the 1970s.
For the second year in a row, visitors of all ages can drop by the museum to enjoy complimentary donuts, while supplies last, and partake in a wide-ranging schedule of architecture-themed activities led by Washington-based experts. Architecture, photography and art enthusiasts alike will be drawn in by local Instagram community IGDC to join in appreciating the monumental stature of this much-debated architectural style.
DocomomoDC announced today that it will feature Washington, D.C.’s Brutalist architecture in a walking tour to be held on Saturday, Oct. 7, 2017. The tour, called “Rediscovering Brutalism,” will begin at the AIA National Headquarters (which was designed by The Architects Collaborative) with a lecture by Michael Kubo, followed by a walking/Metro-riding tour to Dupont Circle. Kubo is co-author of both Heroic: Concrete Architecture and the New Boston and the Brutalist Boston Map.
Details for the tour, courtesy of DocomomoDC, are below: Saturday, Oct. 7, 2017, 1pm to 5pm, rain or shine
Downtown Washington, D.C.
Lecture followed by Walking + Metro Tour with happy hour.
Registration for the tour is through Eventbrite. Tickets cost $35. Students and members of Docomomo, the DC Preservation League, and APT DC receive a discounted admission of $25. Those in attendance will each receive one keepsake copy of the Brutalist Washington Map.
In the smashing cover story of the Washington Post Magazine last weekend, Washington, D.C.-based architecture critic Amanda Kolson Hurley makes the case for local Brutalism. Hurley’s 10-page feature, entitled “Crushing on Concrete,” boasts a cover illustration by Peter Chadwick, author of This Brutal World, and includes striking black-and-white photographs by Astrid Riecken.
There’s this kind of weird valley in which people either love or hate the buildings. I definitely feel like brutalism is in exactly that zone.–Michael Kubo
Despite the losses of some Brutalist buildings Washington, D.C. (namely, Araldo Cossutta’s Third Church of Christ, Scientist, and Marcel Breuer’s American Press Institute), Hurley argues, there have been a few Brutalist triumphs, such as Boston City Hall and U. Mass. Dartmouth’s Claire T. Carney Library by Paul Rudolph. Hurley also exposes the renewal in Brutalism’s popularity, citing the blog F— Yeah, Brutalism, maps by Blue Crow Media, and even our Walk With Locals x Hirshhorn collaboration for last year’s World Architecture Day.
Washington’s impressive catalogue of Brutalist buildings, however, means that the preservation battles are only just beginning. Many of the structures that face greatest peril are those that have aged enough to be in disrepair, yet aren’t quite old enough to have been designated as landmarks. As Hurley puts it, “In Washington … brutalism’s ubiquity means we will have many chances to decide whether it is worth saving.” One notable case in point is the J. Edgar Hoover FBI Building, which tops many a list of “Ugliest Buildings in D.C.” for its impenetrable massiveness. Its future is a story to which we’ll be paying close attention as it develops.
For further reading, pick up these Brutalist titles:
Update: Not all of the readers of the WaPo article are concrete lovers, and maybe that’s not news. One particularly scathing comment on the article: “Any chance we get to remove a polyp of this soul-crushing, dismal, ugly architecturally worthless concrete crap from our beautiful city, we should take. It is joyless, ugly and represents all that is sick about sick buildings.” Couldn’t disagree more, chum!
BrutalistDC will host an architectural tour of L’Enfant Plaza with Atlas Obscura, the definitive guide to the world’s hidden wonders, on Saturday, May 6. We’re thrilled to bring you an in-depth look at one of the major clusters of Brutalist buildings in the nation’s capital.
Attendees will follow along with a copy of the Brutalist Washington Map, which is included in the price of tickets. More information is available through Atlas Obscura’s listing of the event.
New map celebrates Washington, D.C.’s Brutalist architecture
Brutalist Washington Map by Blue Crow Media in collaboration with Deane Madsen
The rising popularity of Brutalist architecture is being celebrated with the publication today of the Brutalist Washington Map by city guide publisher Blue Crow Media in collaboration with Deane Madsen of Architect Magazine.
The guide features 40 leading examples of Brutalist architecture from the Hirshhorn Museum and the J. Edgar Hoover Building (FBI HQ), Dulles Airport and Georgetown’s Lauinger Library to lesser known buildings like the the Woman’s National Democratic Club Annex, National Presbyterian Church and Reston’s Lake Anne Plaza. Details for each building and metro station, include the location, date and the architect or practice responsible.
Deane Madsen, Associate Editor of Design at Architect Magazine said: “As moreand more examples of classic Brutalism face demolition by neglect, we hope that putting these examples of D.C.’s Brutalist architecture on the map will foster public appreciation that ensures their longevity.”
Brutalism rose to prominence in the mid-1950s, and has its origins in post-war architectural experimentation dealing with new realities of material expense. The style’s forms and ethos evolved out of works by Le Corbusier, who specified béton brut (concrete that is raw or unfinished) in his Unité d’Habitation apartment buildings, the first of which was completed in Marseille in 1952. Architects around the world grew to appreciate the plasticity with which reinforced concrete could be shaped as well as its economical means of construction.
Washington, D.C. experienced comprehensive overhauls in the post-war era, following the Redevelopment Act of 1945. Brutalist architecture proved a fit for government mandates that the new buildings not be identifiable for the agencies they contained, and its economical construction methods proved efficient for structures housing millions of square feet of office space. Architects Nathaniel Owings and I.M. Pei played large roles in master planning efforts surrounding the National Mall, and Harry Weese’s vaulted Metro station design for WMATA was deployed throughout the region starting in 1976.
The Brutalist Washington Map is designed to affirm the value of these buildings and to inspire further consideration of Brutalist architecture today. Priced at $10 USD (£8 GBP) plus shipping, it is available to purchase through Blue Crow’s website, and at the National Building Museum shop in D.C. Two sided, with a map on one side and an introduction to Brutalism and post-war construction in Washington, along with architectural details for each building and photos on the other, it opens to 16.5 inches (420mm) x 23.5 inches (600mm) and folds down to 8.25 inches (210mm) x 6 inches (150mm), and is protected by wide band.
This is the Blue Crow Media’s fourth architecture guide, following Brutalist London Map, Art Deco London Map and Constructivist Moscow Map. Modern Berlin Map will be available in November 2016.
About Blue Crow Media
Blue Crow Media is an award -winning London-based independent publisher of
distinctive city guide maps and apps. Brutalist Washington Map is Blue Crow
Media’s 14th folding map guide and second dedicated to Brutalist architecture.
Brutalist Boston Map will be published in 2017.
w: bluecrowmedia.com ; i: @bluecrowmaps ; t: @bluecrowmedia
About Deane Madsen
Deane Madsen is the associate editor of design at Architect Magazine. Based in
Washington, D.C., Madsen started @BrutalistDC as a way of celebrating the
capital city’s collection of Brutalist gems, which add texture to corridors of
all-glass lobbyist headquarters. Madsen earned a Master of Architecture degree
from UCLA before altering course to an architecture adjacent career writing about
what makes buildings work.
i: @deane_madsen ; t: @deane_madsen